德拉克的回归

由爱德华·格莱纳导演，拉多万·卢卡夫斯基,古斯塔夫·瓦拉赫,艾米丽娅·瓦萨约娃,威廉·波洛尼,Jela Buckova,Jozef Cierny,Pavel Chrobak,米库拉斯·洛迪津斯凯,Ivan Macho,Ján Mildner,Andrej Mojzis,Jan Pelech,卢多维特·赖特尔,斯特凡·克维季克,Milan Mach主演的剧情片《德拉克的回归》1968年在其它上映，影片故事情节跌宕起伏，扣人心弦。德拉克的回归是一部值得影迷们观看的优质影视作品。 　　与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。当然，现在陶醉还早，真正的挑战还在后面。不过当远程部队达到秒杀效果时，就算对方成千上万密密麻麻的滚过来也和送死的哥布林炮灰没有区别了，更不要说在大飞的翻倍攻速的加成下，远程部队和机关枪一样恐怖，所以大飞还真是无比期待魔族给自己一个真正的挑战。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。　　A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).128电影网免费提供，剧情片《德拉克的回归》全集高清完整版在线观看服务。